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Music Matters
January 2008
Sing a New Song!

● How can new songs be taught to a congregation that’s
not happy when asked to learn and sing anything but “old standbys”?
How can we not teach news songs to our congregations?
Imagine for a moment how we would feel if we experienced this: the Auditorium Conference Chamber filled to capacity.
Those gathered anticipate experiencing an extremely energetic and Spirit-filled
Hymn Festival. Sadly, in the midst of more than 5,800 worshippers is a group 300
(or so) strong, sitting together in the very center of the main floor.
They are attending to sing when “old standbys” are used. They have vowed,
however, to sit silently and not participate at all when new songs are
introduced. The aural impact of such a group is, actually, minimal if we
consider the collective sound of the other 5,500+ participants, organ and
orchestra. The group is, however, not invisible and their visual impact
of non-participation is both disruptive and not in harmony with the spirit of
the gathering.
Without citing chapter and verse, consider a few well-known, (somewhat)
paraphrased admonitions from Scripture:
- The whole multitude knelt as the Son of God descended and appeared among
them.
- Sing to the Lord a new song; bow before Him, all on Earth.
- Sing and make melody in your hearts to the Lord.
- Be in the forefront [of organizations whose work is gathering from the four
corners of Earth new psalms, hymns, and spiritual songs] and welcome “treasures
I have opened for you, my people, elsewhere.”
- New arts shall bloom of loftier mold, and mightier music fill the skies!
- The glory of God is intelligence, light and truth. Learn and joyfully
sing songs in their native language of the many nations whose people comprise the Community
of Christ. Purposefully be inclusive of languages other than
English. Therein we warmly welcome and bless God’s people from all
places.
It is unimaginable that any members of a denomination which espouses an
open-canon of scripture would not joyously welcome new hymn-texts and tunes
which amplify new revelation. The Hymn Explosion which has doubled or
tripled previously existing Christian hymnody began in the 1970’s and continues
today. With some exceptions, the contents of Hymns of the Saints (1981)
and the three supplements published since then bear fruit of this explosion.
World Conference service bulletins and hymn festival booklets have also borne
witness that God is continuing to inspire authors and composers of other
Christian denominations and is also blessing many of our own church members in
making available well-written texts and tunes which address themes of worthy
worship and praise, peace and justice, world-wide community, and Zion the
Beautiful.
World Conference hymn festivals (and other similar services) are perhaps the best example of an inspiring mentoring
process for congregations. They exemplify ways in which to engage members and learn new expressions and materials for music in
worship. The process: sometimes a single leader sings a phrase (“lines out”),
followed by a repetition of the phrase by the whole assembly. Other songs are
taught as we silently read words and melody and listen first to a
quartet or other ensemble, i.e., combined Graceland choirs or the Conference
Choir; then the assembly gets its opportunity.
This same, general process can be done in local settings. Prayerful
planning, advance communication, and several solid, musical rehearsals are keys
to success. Repetitive use of the new songs not only raises the congregation’s
comfort level in using new songs learned, but gradually works to help them
welcome other periodic opportunities to learn new hymns. Perhaps it is time to
return to the pattern established when The Hymnal (1956) was
released, and engage in a church-wide Hymn of the Month process. Imagine
learning 12 new hymns (or more) each year!
—Dale G. Rider
If you have suggestions or ideas for future columns, please contact:
Jan Kraybill Principal Organist and Director of Music Community of Christ Headquarters Independence, MO, USA
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